A seventh chord (or 7th), is a four note chord containing a root, 3rd, 5th and 7th.
There are several types of 7th chords - 7th, minor 7th (m7), major 7th (maj7), diminished 7th (dim7) and half diminished 7th (ø7)
Each is determined by the size of 3rd, 5th and 7th.
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The following 7th chords each contain a:
root - major 3rd - perfect 5th - minor 7th
The following minor 7th chords each contain a:
root - minor 3rd - perfect 5th - minor 7th
The following dim 7th chords each contain a:
root - minor 3rd - dim 5th - dim 7th
Occasionally you will come across a double flat or double sharp, especially when dealing with diminished chords, diminished 7th chords or augmented chords
A double flat (pictured left) lowers - or flattens - a note twice without changing the letter name of the note.
So a B double flat would look the same on the keyboard, and sound the same, as an A - (both white keys); but it would be notated as a B double flat, not an A.
A double sharp (pictured left) raises - or sharpens - a note twice without changing the letter name of the note.
So a C double sharp would look the same on the keyboard, and sound the same, as a D - (both white keys); but it would be notated as a C double sharp, not a D
In popular music with chord symbol notation, it is very common to re-spell some notes enharmonically to avoid using double sharps or double flats. For example:
The example below is the same as one above... however, the double flats have been respelled with more recognizable notes. The 7ths in the Cdim7 and the Fdim7 have been respelled enharmonically to an A and a D.
The following half dim 7th (ø7) chords each contain a:
root - minor 3rd - dim 5th - m 7th
In popular music using chord symbol notation it is very common to use m7b5 instead of ø7 for a half diminished chord; for instance, Fm7b5 instead of Fø7. The notes and spelling are exactly the same. In Pop sheet music and jazz you would probably see Fm7b5
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7th chords - chord inversions - sus chords
extended chords - diatonic triads - diatonic 7th chords
primary chords - secondary chords - secondary dominants
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